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The music for the acclaimed game series has been a position of notoriety through the years, with Jay-Z producing the 2013 edition featuring clips of live performances from HOVA himself.įrom the press release: 2K today announced a new collaboration with internationally-renowned artist and producer Pharrell Williams to curate the most extensive and unique soundtrack compilation in NBA 2K franchise history for NBA® 2K15, the next installment of the top-selling and top-rated NBA video game simulation franchise*.
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More Offseason Analysis: Updating Free Agency news | Free Agent trackerĭominant NBA video game creator 2K Sports announced Tuesday that renown musical artist and producer Pharrell will bring his big Arby's hat to the soundtrack of NBA 2K15. But if this year’s Live can at least begin to present an alternative vision of video-game basketball to 2K, it will be a step in the right direction.Pharrell is taking his big hat to '2K15.' (USATSI) It would be great for Live to live up to those expectations, to bring back the halcyon days of Michael Jordan in NBA Live 2000, or point the way forward to something new and different. It’s crazy that I’m on the cover of it, so I can’t wait to get that game and start playing it.” “Everybody else was playing something different,” Lillard continues, “but I was playing Live for a long time. It can be easy to forget that as recently as four years ago, Live presented a legitimate alternative to 2K. “I was playing it when they had Tony Parker on the cover.” This was NBA Live 09, and even NBA Live 10 holds an 81 rating on Metacritic. “ Live went away for a little while,” says Lillard. Last year’s edition was a frustrating mess in that regard, but it was also important for it to come out, warts and all, so that the company could improve and move forward. It’s a nice move (by the time NBA 2K14 dropped I was so sick of Imagine Dragons and Drake that I went directly into the options and turned their tracks off), yet it places the soundtrack in a weird state of limbo: it’s pumped-up as integral to the enjoyment of the final product, but you can also completely upend the track selection or cut it out completely.Īs important as it is for EA to present a full-featured game with all the bells and whistles, it’s the action on the court that will make or break the game. I can’t decide which.īut it’s not as if this year’s Live is going to rise and fall based solely on the soundtrack – like a profile of Mick on EA Sports’ site says, you can create custom mixes, allowing the player to pick and choose which tracks to play. Cramming in a drop that repeats variations on “ NBA Live 15…Mick!” between every song is either endearingly old school or just kind of a handwank. Sands’ “Five to Get Live” and Raz Fresco’s “Freshest Ever” – which has a Clipse-esque minimalism – are also highlights, but man: at 85 minutes, there’s still a lot of filler, mostly in the form of sparkling-yet-empty club bangers and forgettable electro-rock.
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Chuck Inglish’s “Gametime” and Bishop Nehru’s “Stressin'” are heavily reminiscent of late ’90s Rawkus tracks, while Flatbush Zombies edge closer to the horrorcore heyday of Gravediggaz or the ominous orchestral overtones of Rubberroom. When it works, the soundtrack feels like a delirious throwback. Compared to Pharrell’s competing soundtrack for NBA 2K15, which leans heavily on rock like vintage Red Hot Chili Peppers, Depeche Mode and No Doubt, NBA Live 15′s track listing skews heavily toward rap. Which is not to say that NBA Live 15 wants for hip-hop. I think change of pace is really important so it’s not just hip-hop, hip-hop, hip-hop.
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If I’m playing a video game and the song changes, it brings a different feeling or a different experience. “I don’t think has to be related to basketball,” Lillard says, “I think change of pace from track-to-track is important. Lillard agrees that selecting the music for a video game is not unlike putting together a good mixtape – something he knows a thing or two about as a fledgling emcee himself and the creator #4BarFriday, which encourages everyone from NBA players like Paul George and Iman Shumpert to any schmo with flow to drop four bars of hotness into one of Instagram’s 15-second videos. I wasn’t like the final decision-maker or nothing like that. “I shared what type of music I like,” Lillard says, “and what music I thought would be fitting for a video game, but that’s about as far as it went. And thus, we have the Portland Trail Blazers’ Damian Lillard on the cover of NBA Live 15 – the game drops on October 28 – and, at the moment, on the phone, ready to talk about what went into curating the game’s soundtrack with producer (and former Cleveland Cavaliers’ house DJ) Mick.